Brace for Impact
Eric January
Compound Clay, Cement, Flashe Paint, Flannel, 2017 Riddell Helmet
American football is the pulse of western culture. It is a specific United States language that demonstrates the current paradoxes of American life. One of the clearest contemporary systems where Black bodies function as signal and spectacle. When outfitted on a person it can highlight everyday battles.
The Maroons were, in fact, Africans who escaped slavery in the Americas, forming independent, free communities in secluded areas like mountains and swamps from the 16th century onward.
The football helmet enters this body of work as a contemporary artifact within a longer history of Afro-Atlantic labor and spectacle. Emerging alongside the professionalization of American football in the twentieth century, the helmet was developed not to eliminate harm but to regulate it, allowing bodies to remain productive within a system predicated on collision. Those continued collisions numb the soul as it shocks the body.
As the soul sings and calls for something more. As Black athletes increasingly came to dominate the sport, the helmet became a mediator between visibility and vulnerability, obscuring individuality while converting impact into broadcast value. Aligning the spectacle of sport with earlier Atlantic economies that extracted value from Black bodies while offering only conditional protection. The helmet redefines the relief and its interior
within an African American heritage.
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Year: 2026
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Eric January
e@ericjanuarystudios.com